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Larisa LARA-GUERRERO

INTIMAL: Relational listening that unknowingly prepared us for the COVID-19 pandemic

* This article has been written by Dr Ximena Alarcón-Díaz, Dr Ana-María Alarcón-Jiménez, and Dr Liliana Rodriguez, from the INTIMAL collective. The article includes the input of all members of the INTIMAL collective. Background
Larisa LARA-GUERRERO

French Asian youth online: Constructing collective identity and fighting against racism

By Hélène Le Bail & Ya-Han Chuang Picture: Facebook page of the video project Asiatiques de France (‘Asian French’).
Larisa LARA-GUERRERO

Mobile women without mobile phones: Indian domestic workers in the Gulf

By Divya Balan Picture: Courtesy of the author
Larisa LARA-GUERRERO

The AEMRN diaspora: Bridging the digital divide and knowledge gap between southern and northern countries and between countries in the South through innovative digital technologies

By Charles Senessie Image: The AEMRN logo.
Larisa LARA-GUERRERO

Make home a better place through diaspora programmes: Engaging the Albanian diaspora during the pandemic

By Bardha Qokaj Picture: Courtesy of IOM Albania
Larisa LARA-GUERRERO

Innovative approaches in diaspora engagement: i-platform/i-dijaspora connecting the Bosnian and Herzegovinian diaspora in Switzerland

By Aida Ibričević Picture: In 2018, i-platform organised the (H)AJMO! event series in Bern and Zurich, Switzerland. Source: i-dijaspora/i-platform. ‘i’ is a connector
Larisa LARA-GUERRERO

Twitter orientation and digitalised medical outreach of transnational Nigerian doctors to the homeland during COVID-19

By Abdul-lateef Awodele Picture by Tima Miroshnichenko on Unsplash.
Larisa LARA-GUERRERO

Instagram: A new identity for the descendants of indentureship

By Aratrika Ganguly
Larisa LARA-GUERRERO

Diaspora organisations and technology: The role of the Afghan-Dutch diaspora in fighting COVID-19

By Ali Ahmad Safi Picture: The Medical Committee Afghanistan-Netherlands team. Source: MCAN.
Re-Balance

A tale of two rivers

My happiest childhood memories are set in a little village called Belua by the Jhinai river, in northern Bangladesh. Back in the 80s it had no electricity, which made it magical through my childlike eyes. We would arrive after a long trip from Dhaka using a bus, a rickshaw, then a boat, in the dark...my Uncle would call out to us across the river as we approached the village shores, and the…